Day 95
Wednesday, June 10
WALK. TOGETHER. We of the walking group who have met on Zoom every Wednesday morning since lockdown…we meet in the flesh at Victoria Park and walk together again.
It’s a freezing morning but sunny and beautiful. There is no sense that we have not seen each other for ages since we have seen each other face to face every Wednesday and talked for an hour. We are up to date. But pleased to be in the fresh air again.
We keep a social distance. John wants to bump elbows but two of the group won’t even do that. They are still strictly social distance. I bump, though.
I rush home to have the other Wednesday Zoom meeting - the international one with the Brainstorms Community. It is a marvellous session. Several of our number are in Minneapolis where the BLM action continues to throb and pulse and. They are defunding the police there, imposing a new force of
counsellors and drug specialists, people who can deal with a lot of the things which chew up police time. Violence becomes a category. They are unclear about the details. It is a brave experiment. Peter fromAdelaide hosts the meeting. Sarah from Victoria is there, along with Tom and Janice and Kate and….
Clearly, this is no longer an iso journal. The world is turning. I am out and about, even with extreme caution.
Nonetheless, somehow, I will get this up online and on the record, just because the world needs such domestic records from this particular period.
Another variation on the theme of The Decameron. Stories from the plague.
Strange that the sequestration amotived one. I reflect on that adrift feeling.
I simply circled around the real work on my desk. Dodged it because I could. I tried to dig into my father’s biography to edit it. I thought I could edit it. I thought I was the person who could and should do this. But the more I delve into the copy, the more I see it needs rewriting rather than editing. Betty Snowden was one of the great researchers of academe. Fastidious. But the darling woman’s prose is moribund. I struggle with it. Then I walk away. I just walk away in despair. I need funds for a pro.
The guilt for this comes over me in waves from day to day.
I buy another lottery ticket online and hope for dollar salvation.
Meanwhile, isotime seemed to have raced by around me.
Boy, I have been seeing a lot of Zoom theatre and Zoom people and Zoom stuff. Thank heavens we had it but I must say I am a bit over it.
We have the biggie coming up. The SA Media Awards. A big ceremonial event which is to be broadcast via Zoom. The clock is ticking. I have written citations and the Hall of Fame speech which is to be given by Dana Wortley. I just need to write my own wee speech.
Day 96
Thursday June 11
I have a big delivery from Woolies. Lots of heavy stuff - laundry soap and drinks, tinny tomatoes and the provisions for the Friday night dinner party. I do the sorting, sterilising and putting away regime.
But this is a BIG DAY. My much-needed haircut at Orbe. This is the end-of-iso special.
When I rock up I am taken to the sink and supervised in a fastidious hand wash. Then I am asked to fill in a form swearing that I am not sick and have not been overseas or in contact with covid. I am offered a pen from a big bucket of pens and told to keep it. You don’t have to tell a journo twice to keep a free pen. Yes, thanks. Janelle rocks up looking like a Spanish goddess, her raven hair centre-parted and pasted to her head and drawn into a bun at her neck, her lipstick flame red. She’s a pretty girl who is looking like a movie star. We slip back into hairdresser and client relationship and it is not until I have left the salon that I realise she did not wear a mask when she washed my hair. After all the forms and washing on my part. Hmm. And that was the most intimate spatial encounter of these last several months. We talk of what we have not done and are not doing thanks to the virus. She had to postpone her wedding and her honeymoon, after years of planning. She’s philosophical about it. They own a house and have renovated it. They can wait, she says. She gives me a superb haircut and I leave feeling reborn.
The shops are busy. Everything seems to be open. The Parade is bustling with people. Back to normal really.
I take the plunge.
I go to the supermarket. Thanks to Woolies, I only need a few luxury items. Cheese, mainly. Low carb bread.
There are markers for people to queue in social distancing, but they are unused. Everything is as it used to be. People are just going in. The only difference is the big handwashing and trolly sanitising station.
The aisles are one-way. People steer wide berths around each other.
It is lovely to be back into the world of choices. I see smoked eggs. Huh? I buy half a dozen.
I pop in to the fruiterer and buy some flowers.
When I get home, I find I can’t get the smoked eggs out of the carton. They seem gummed in. I take them back to exchange.But all the boxes are the same. Oh, well.
We have a rehearsal Zoom for the Awards. I spend the whole session struggling over the background image Gemma has prepared. Finally, I have it right. Except that she is going to give me a different one tomorrow. And I have also to organise the one for the Lifetime Achiever…and having two Zooms going and sorting out sound and echo etc. I feel decidedly intimidated.
A G&T is welcome.
I’ve made a Pea Kima curry with some cheap mince we had in the freezer. We have it with some naughty rice and a big Indian onion and tomato salad. It is too divine.
.
Day 97
Friday June 12
Historic Day. Hereby ends iso. We are having guests.
The Lifetime achiever is my friend Rex Leverington. I have invited him here so avail him of my technology and bandwidth. I’ve decided he will use my b ig desktop computer and I’ll use the lappy. I am antsy for the background images. I won’t feek comfortable until I have the technology in place. I write my speech and send it to Gemma. I comes back incorporated into the running sheet so the MCs have all the perfect cues…and so do I. Eventually the backgrounds come through for both computers and I successfully install and test them. Serendipitously, Gemma comes online while I am testing and confirms they look good. Phew.
I lay the table with all the trimmings for the first time in seeming aeons.
I trot down the street to Foodland to get last-minute special things, Berries. Fresh bread.
I cook Puttanesca Chicken to have with rice and a big green salad. I set out nuts and dips, lay out a mighty cheese platter with fruits and crackers.
Rex arrives with Tony “Pilko” Pilkington, a veteran radio personality, one of Rex’s best mates and another who, with me, had nominated Rex for the award. We pour drinks and chatter excitedly. I show Rex the ropes with the desktop and I move into the Morning Room to get online with my Media Awards colleagues for what they have dubbed “pre-drinks”. People keep arriving on Zoom, some with video images, some just sound. The comperes, Mike Smithson and Tracey Lee are somewhere in the Premier’s Department where a special studio has been set up for them. They have drinks and scripts and seem happy with the set-up. And, as the time ticks to 7pm we start the proceedings, the comperes being pretty smooth and professional. Gemma’s AV content is really good, so photos and captions and videos pop up at the right moment. Suddenly there is a glitch. An “intruder” scrawls “fuck me” on a screen. Gemma whips it down pronto and disables the culprit.
I run between rooms checking that the others are seeing everything and that the Zoom App is working properly. One wrong move and the screens can whoosh off, which they do a couple of times when one of the boys tries to control the viewing. But I recover it OK. Dinner is served and we eat watching the event, just as we do at the real-life awards. Except that I am on my own eating discreetly on camera. OMG, that chicken is delicious. I have the running order printed out and set beside both computers so we can all see what is coming up. Come my turn, I make my President’s speech and then into the Young Journo and the Max Fatchen Awards, and throw back to the comperes betwixt and between. It is not as fast as it is when we are all on stage together, but it works. I get text messages saying I am looking good. Phew. Then into the living room to get Rex set up for his big moment. Dana reads the citation I have written. She seems unfamiliar with it. Pity. Then Rex reads his acceptance speech and I hand him the trophy. And everyone has drinks. I return to my corner for the final award, the Journo of the Year, and am thrilled to see Ben Avery come on live from London to accept it. Bloody hell. We have pulled off a major event as an online happening. It looked good, Sponsors were well aired. Audio was clear. Cues pretty good. The comperes had good, warm-hearted funny banter. Phew! I turn off the computers and call for a real G&T and bring out the cheese and fruit platter. And we sit around the table for the next few hours, chewing the fat with Pilko telling amazing yarns about growing up with an arsonist for a father.
Day 98
Saturday, June 13
Another big deal end-of iso event. Yum, Cha with Sam and the girls. I have booked us into Eastern Garden.
There is a big queue outside the restaurant. We respect social distancing and wait for them to open. The girls are impressed that we are expected and given a fabulous table. Others, who had not booked, were sent away. The restaurant is restricted to certain numbers and the tables are well separated, some with big Chinese screens. The usual Yum Cha trolley-service menu is not on because of the restrictions,. We choose from the special Yum Cha menu. We are ravenous., We choose heaps. We are so happy to br together. Rosie runs around the table just to give me extra hugs. We are family. We are allowed to touch now. The food is stunning. We devour everything. Happiness.
Afterwards, we wander down the Parade and into the clothing shops the girls like. Sanitiser, social distancing. This is the new order.
I return to Bruce and chores. We take a walk.
Day 99
Sunday, June 14
Walking. Toenails.
Monday, June 15
Day 100
I have delayed going to Encounter Bay for this big day.
We get to see inside Her Majesty’s Theatre for the first time. It is finished. Festival Centre CEO Douglas Gautier has offered to show Peter and I though the building.
We meet at stage door at 3.30. Inside, once we have signed in at the doorman’s desk, we encounter the massive honour wall, the lovingly preserved signatures by many decades of performers who have worked in the old theatre, which was once known as the Tivoli. They are now in a wonderful vast expanse with some bricks untouched, waiting for the next stars to sign their names as the theatre moves forward. Of course, we don’t know when that will be. There is much heartbreak and distress that the gala opening had to be cancelled because of the pandemic. A Slingsby youth show has been programmed in to create a soft opening, just a small show with a small audience.
And here is the great theatre. It is huge. We meet a familiar tech working on the stage wings. The techs are all in getting the place ticking over. There’s a wall of ropes there. Spectacular. Intense. They reach ever upwards to the dark of the flys world. We stand on the stage and look out on the bright red of the great arcs of seating. I am thrilled. This is better than I could have imagined. I have had a sneak peek through my friend Cheris Oaten’s fabulous photo timeline but the real thing is the real thing and it has air and dimensions and a spaciousness that I could not anticipate. We go down into the auditorium and walk the wide rows. No having to stand up to let people get to their seats in those front stalls with no aisle. The problem I dreaded is absent. It is bloody brilliant. Gorgeous. Smart. And notr only nbut also there are aud vents under the seats, the air flows up individually, fresh air and not foetid dense old enclosed air. Wow factor.
Douglas takes us around the foyers and up the lifts. I run up the grand stairs. It is quite a way. We look for Peter's name in the celebrity floor tiles in the bar areas. Phyl Skinner is there.
We look at the auditorium from the dress circle. The handsome lines of the wooden handrails stands out. Lovely design feature.
We go up into the Gods, Oooh, it is high up there. We walk across a bridge to the flys and note how strong and stylish things are, even in those aerial features.
The only unfinished area is up in the top where the Performing Arts Collection is to be installed. It still has a stylish feeling to it. The whole building does. It is sublime. Such attention to detail, such subtle arched window respect to the architecture of the old market building across the road, such sumptuous velvet-upholstered banquettes for waiting and drinking upon….











